今年也真够反常，都快十二月份了，天气还跟夏天似的。像以往的年份，小区的枫树，早就已经秃的没叶了，今年反倒是越长越茂盛。现在新闻上说的什么的有，什么洋流逆流啊，什么太阳黑子活动啊，更离谱的还有附近星域的超新星爆发，五花八门，千奇百怪！网上随便一搜，就可以查到一大堆原因，有图有真相，似乎每一个都合乎逻辑，看的让人晕晕乎乎，头昏脑胀，到最后深以为然！Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
《纽约夜月情》上映后网友的热议
主角精湛的演技，将角色的内心斗争展现得淋漓尽致，他的表演受到了观众和评论界的一致好评。这也为他的下一部作品奠定了坚实的基础。
这部剧将古装与悬疑探案巧妙融合，为观众呈现了一个北宋宣和年间的故事背景
演员们的出色表现将为这部剧增添不少色彩。而张颂文和白百何的首次合作，更是成为了剧集的一大卖点。两位演员在剧中的化学反应如何，观众们已经迫不及待想要一探究竟。
《纽约夜月情》这部电视剧的巨大成功，很大程度上归功于两位男主角的出色演技，他们的精湛表演堪称功不可没。
有些道理是共同的，就是演了这么多年戏未红，遇到一个角色红了，并不能说这个演员的功力就真的数一数二的了。只能说更多说明那个剧质量比较高，角色也比较适合这个演员。那些演戏多年一直有名字比较红的演员才应该算是功力比较足，演什么基本都不掉线。
